That Drifting Excrement Was Way Too Meaningful! It's the TV Disappointments of the Year.

As we reflect on the television offerings of the recent year, a handful of series emerge not for their excellence, but for their notable failures. From cringe-inducing sequels to bafflingly poor docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Burdened with dreadful writing, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the third season started, it looked like it had finally found its groove. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last season. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this drama's issues. The recipient of a very rare no-star assessment, it was difficult to know where to start enumerating the flaws. The laughably wooden dialogue? The tedious glorification of wealth and materialism? The almost wilful procession of cliches? Acting so bad they felt almost malicious? Suffice it to say “all of the above” and forget about this show again. Except, a new season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while failing to tell us anything we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this series might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Supercomputer Drama

Of course we knew it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were many other issues. Primarily that it was just really dull; a conflict over narcotics territory between various cockney rogues which felt a bit basic.

With Love, Meghan

Considering the extent to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various forays into quaint homemaking as deliberate provocations. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by vast, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about regarding Victoria Beckham and her struggles with career, identity, self-worth. But for whatever reason, this documentary series chose not to say them. Instead, the viewing was like consuming a marketing brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How does one follow a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of celebrity friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart recruitment of gifted emerging comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from strangely jaunty, slightly stylised farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? No! This globe-trotting thriller about secret services targeting – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for explicit escapades as she prepared for her most extreme challenge yet. What on earth would possess her? What we wanted was way more interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Daniel Winters Jr.
Daniel Winters Jr.

Elara Vance is a digital storyteller and cultural analyst with a passion for exploring how technology shapes human connections across the globe.

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